Bubble

From Christina Hyde <christinahyde@gmail.com>
To <hello@thebubblesite.co.uk>
Date 10 February 2009 14:00
Subject Liverpool Biennial

Hi Inez Goodman,
I was just speaking to James from Thoughtful, he said it would be ok to contact you about your Liverpool Biennial piece.
What 3-D software did you use?, we uses Maya here at Stockport College.
By the way I'm curious to know what image you used for your reflection map?


Hope to hear from you soon, and thank your for time,

Reguards,

Christina Hyde
2nd Year Student
BA Hons Design & Visual Arts : Moving Image Design
Stockport College


Hopefully I get a reply

Taxi 15 Below Project

From: Christina Hyde <christinahyde@gmail.com>
Date: Mon, 26 Jan 2009 14:09:10 +0000
To: <15belowproject@taxi.ca>
Subject: (15 Below Project) D&AD Student Awards

Hi,
I'm currently doing a brief for D&AD Student Awards and when I saw this brief I became extremely inspired by it, and how small gestures can change peoples lives.
I'm a Level 2 Student studying BA Hons Moving Image at Stockport College, I know me asking this would be rather cheeky by asking for some of your time but it would help me greatly in my coursework and would be must appreciated.
Could you send me information on the design company/designer which created the 15 below coat and the 15 below, taxi website.

Thank you in advance for your support,

Christina Hyde
Stockport College

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From: Lisa Sanders <lisa.sanders@taxi-nyc.com>
Date: 26 January 2009 16:34
To: Christina Hyde <christinahyde@gmail.com>
Subject: Re: (15 Below Project) D&AD Student Awards

Lida Baday is the designer who created the coat, along with TAXI chief creative officer Steve Mykolyn. Steve, fyi, sits on the board of the D&AD.
The website was created by TAXI.

Our agency’s website is www.taxi.ca
You can find info on Lida Baday by searching Google. She’s really well known in Canada. Attached is a somewhat old copy of her bio.
Best
Lisa



LISA SANDERS | DIRECTOR, CORPORATE COMMUNICATIONS

TAXI INC
T: 917 237 8713 | C: 347 385 2218 | F: 212 414 8444 | W: TAXI-NYC.COM
AAAA CREATIVE EXCELLENCE AWARD | 2007 & 2008


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tokyoplastic

tokyoplastic

The Little Fella AMD

















Lips vs Mindreader Nokia












Tokyo plastic work is amazing, I love the quirky little characters they create for their clients, each one is different from the other and you'll never get tired of watching the CG animations.
I also enjoy navigating around their website as they use their work from projects and present it.

Tom Heatherwick

Born in London, Thomas Heatherwick trained as a designer at Manchester Metropolitan University and at the Royal College of Art, London. He is an honorary fellow of the RIBA, a Royal Designer for Industry, a Senior Fellow of the Royal College of Art and has honorary doctorates from Sheffield Hallam, Manchester Metropolitan and Dundee Universities.
Heatherwick is recognized for his

• architecture
• sculpture
• urban infrastructure
• product design
• exhibition design
• strategic thinking

Heatherwick Studio won the competition to design a monument to the 2002 Commonwealth Games. The design reacts against the convention for passive-looking monuments to sporting events that celebrate peace and harmony, rather than the dynamism and explosiveness of physical competition.

Big Bang




















I really like the big bang but rather than what its really meant to mean peace and harmony, i see power and strength. With the spindle parts looking sharp and spiky like a sea urchin and the colour being dark and solid.

Looking through more of his work, I'd really love to see " Bleigiessen". From Heatherwick exploring the idea of tumbling water. The wire reminds me of a water fall and the tear drop glass pieces are beautiful colourful spheres which create a light around the area with a gold colour, maybe reflecting from the lighting around them?

Bleigiessen

Paul Greenwood - double negative visual effects

Double Negative, located in the heart of London's Soho, was set up in 1998 with a team of 30 staff. Since then the company has grown to 450+ staff. Through our growth we have always sought to retain the creative drive and involvement of our artists through all projects, ensuring that they have a close collaboration with clients. This approach ensures films both small and large receive the same high standard of creative and technical service.

Its really strange in this day and age how CG is being created to look realistic, of course designers have tried for the past years to create human like cg characters which have been successful but not as successful as creating life like objects. Looking through the list of projects that double negative have worked on, there that realistic that i didn't even realize they were CG for example 'The Dark Knight".

The Dark Knight










Gotham City
Digitally enhanced Gotham City, with CG ferry, water and digitally augmented docks.










Night time in Gotham City
Entirely CG shot, including environment and helicopter.


Where as CG animated creatures like the Sabre Tooth Tiger in "10,000 B.C" we all know the cat is extinct and has been for centuries.

10,000 B.C










Sabre Tooth Tiger CG sabre tooth tiger in CG water.











The 'Terror Birds'
Fictional 12' tall pre-historic monster birds

Tal Rosner

Artist and filmmaker Tal Rosner made his name with radical interpretations

of musical compositions, turning slow-paced video art on its head to create dynamic, ever-changing motion graphics art. He has presented his work across the world from the Royal Festival Hall to the Disney Hall in Los Angeles, and won a BAFTA award for his title sequence for Channel 4's Skins. He has recently finished a new film for Channel 4/Arts Council Animate Commission.

When seeing Tal in the lecture, I really do admire his work even though I wouldn't have the patiences of a saint to create pieces of such quality like he does. I think it was more the geometric shapes which i liked the look of for example "Doppleganger", and how they
connected with others to create patterns.
Doppleganger

To compare his previous work "Skins 1" with his latest stuff "Skins 2", to me its lost the inspiration of piecing shapes and layers together. I do understand that as time moves so does design but his earlier design work on the Skins 1 intro/bumper/credits is more successful than Skins 2.

Skins 1



















Skins 2